Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi 3 years long exposures: read “The passing of time“, (on Socks).
We’ve already featured talented Austin-based photographer Emily Blincoe a couple of times on iGNANT. Her output is amazingly creative and never fails to make us smile. Emily is probably best known for her color-coded arrangements.
For her latest works she collected color permutation of tomatoes, oranges, eggs, ice cream and leaves and sorted them into groups and gradients for each image